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241st Knowledge Seekers Workshop - September 13, 2018
 
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This weekly on-going public series of Knowledge Seekers Workshops brings us new teachings, universal knowledge and new understandings of true space technology to everyone on Earth direct from the Keshe Foundation Spaceship Institute. Each Thursday, at 9 am Central European Summer Time, we broadcast live, the latest news, developments, and M.T. Keshe teachings on our zoom channel and other public channels. (see below for channel links) If you wish to discover and learn more, please see our many categories of videos on our Youtube Channel: https://www.youtube.com/c/KeshefoundationOrg/playlists Become a student at the world's first Spaceship Institute! For only 100 euros, you get a full calendar year of access to live and recorded private teachings. There are thousands of hours of extended Private Teachings stored in our private portal at the Keshe Foundation Spaceship Institute (KF SSI) that you have access to, and we teach Live classes six days a week in English, plus we also have live classes 7 days a week in 18+ languages. Apply today to become a student at the KF SSI. More information is at our website http://kfssi.org. A direct link to Student Application Form is http://kfssi.org/study-apply. ---------------------------------------------------------------------------------- Live Streaming Channels ---------------------------------------------------------------------------------- http://keshefoundation.org/zoom http://keshefoundation.org/youtube http://keshefoundation.org/livestream http://keshefoundation.org/facebook ---------------------------------------------------------------------------------- Other important KF links: ---------------------------------------------------------------------------------- http://keshefoundation.org https://universalcouncil.keshefoundation.org/ http://keshefoundation.org/donate http://keshefoundation.org/volunteer (instructions at the bottom) http://keshefoundation.org/blueprint http://keshefoundation.org/blueprint-download (download blueprints) http://keshefoundation.org/study-apply (become a student of KF SSI Education) http://keshefoundation.org/mozhan (become a MOZHAN) http://keshefoundation.org/cancerprocessing http://keshefoundation.org/kfssi (KF SSI Education) http://keshefoundation.org/ssi (SpaceShip Institute) http://usa.keshefoundation.org http://health.keshefoundation.org https://1p1n1r.keshefoundation.org/ Help us caption & translate this video! https://amara.org/v/lNwG/
233rd Knowledge Seekers Workshop -  July 19, 2018
 
03:20:47
233rd Knowledge Seekers Workshop - Thursday, July 19, 2018, 9 am CEST This weekly on-going public series of Knowledge Seekers Workshops brings us new teachings, universal knowledge and new understandings of true space technology to everyone on Earth direct from the Keshe Foundation Spaceship Institute. Each Thursday, at 9 am Central European Summer Time, we broadcast live, the latest news, developments, and M.T. Keshe teachings on our zoom channel and other public channels. (see below for channel links) If you wish to discover and learn more, please see our many categories of videos on our Youtube Channel: https://www.youtube.com/c/KeshefoundationOrg/playlists Become a student at the world's first Spaceship Institute! For only 100 euros, you get a full calendar year of access to live and recorded private teachings. There are thousands of hours of extended Private Teachings stored in our private portal at the Keshe Foundation Spaceship Institute (KF SSI) that you have access to, and we teach Live classes six days a week in English, plus we also have live classes 7 days a week in 18+ languages. Apply today to become a student at the KF SSI. More information is at our website http://kfssi.org. A direct link to Student Application Form is http://kfssi.org/study-apply. ---------------------------------------------------------------------------------- Live Streaming Channels ---------------------------------------------------------------------------------- http://keshefoundation.org/zoom http://keshefoundation.org/youtube http://keshefoundation.org/livestream http://keshefoundation.org/facebook ---------------------------------------------------------------------------------- Other important KF links: ---------------------------------------------------------------------------------- http://keshefoundation.org https://universalcouncil.keshefoundation.org/ http://keshefoundation.org/donate http://keshefoundation.org/volunteer (instructions at the bottom) http://keshefoundation.org/blueprint http://keshefoundation.org/blueprint-download (download blueprints) http://keshefoundation.org/study-apply (become a student of KF SSI Education) http://keshefoundation.org/mozhan (become a MOZHAN) http://keshefoundation.org/cancerprocessing http://keshefoundation.org/kfssi (KF SSI Education) http://keshefoundation.org/ssi (SpaceShip Institute) http://usa.keshefoundation.org http://health.keshefoundation.org https://1p1n1r.keshefoundation.org/ Help us caption & translate this video! https://amara.org/v/knQ0/
Domaine Leflaive: A Path to Follow
 
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An early adopter of biodynamic viticulture, Anne-Claude Leflaive of Domaine Leflaive talks about her familys history in the finests crus of Puligny-Montrachet, as well as the importance of influencing other winemakers to protect their vineyards, and clients, through environmentally friendly practices.
Views: 9506 Wilson Daniels
The Great Gildersleeve: Gildy Learns to Samba / Should Marjorie Work / Wedding Date Set
 
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Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor. In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company ("If you want a better corset, of course, it's a Gildersleeve") and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity. Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog). The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons. http://en.wikipedia.org/wiki/The_Great_Gildersleeve
Views: 80269 Remember This
Suspense: Heart's Desire / A Guy Gets Lonely / Pearls Are a Nuisance
 
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One of the series' earliest successes and its single most popular episode is Lucille Fletcher's "Sorry, Wrong Number," about a bedridden woman (Agnes Moorehead) who panics after overhearing a murder plot on a crossed telephone connection but is unable to persuade anyone to investigate. First broadcast on May 25, 1943, it was restaged seven times (last on February 14, 1960) — each time with Moorehead. The popularity of the episode led to a film adaptation, Sorry, Wrong Number (1948), starring Barbara Stanwyck. Nominated for an Academy Award for her performance, Stanwyck recreated the role on Lux Radio Theater. Loni Anderson had the lead in the TV movie Sorry, Wrong Number (1989). Another notable early episode was Fletcher's "The Hitch Hiker," in which a motorist (Orson Welles) is stalked on a cross-country trip by a nondescript man who keeps appearing on the side of the road. This episode originally aired on September 2, 1942, and was later adapted for television by Rod Serling as a 1960 episode of The Twilight Zone. After the network sustained the program during its first two years, the sponsor became Roma Wines (1944--1947), and then (after another brief period of sustained hour-long episodes, initially featuring Robert Montgomery as host and "producer" in early 1948), Autolite Spark Plugs (1948--1954); eventually Harlow Wilcox (of Fibber McGee and Molly) became the pitchman. William Spier, Norman MacDonnell and Anton M. Leader were among the producers and directors. The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication. The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars — often playing against type — such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, "Backseat Driver," which originally aired February 3, 1949. The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain. At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with "Death on My Hands": A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him. With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series despite shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's "The Man Who Went Back to Save Lincoln" or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas. http://en.wikipedia.org/wiki/Suspense_%28radio_drama%29
Views: 81923 Remember This
Courroie de distribution : Les conseils de nos garagistes / Top Entretien #4  (avec Denis Brogniart)
 
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Souvent ignorée par les automobilistes, la courroie de distribution est pourtant un élément essentiel de la motorisation d'un véhicule. Véritable chef d'orchestre, elle permet de synchroniser plusieurs éléments dans le moteur, en particulier le vilebrequin, la pompe à injection et les arbres à cames. Sans elle, le véhicule ne pourrait tout simplement pas avancer. Il convient donc de faire régulièrement vérifier sa distribution par un garagiste agréé en tenant compte des préconisations du constructeur. La courroie de distribution est l'un des éléments les plus sollicités de votre motorisation. Elle présente à ce titre des risques d'usure importants. Au moindre signe de dysfonctionnement, les garagistes Top Garage sauront déterminer dans les meilleurs délais la cause du problème et remplacer la pièce fautive. Le changement de la courroie est une procédure longue – elle dure en général plus de 4 heures – qui nécessite le recours à des professionnels auto formés et agréés. En utilisant un outillage spécifique, nos garagistes se chargeront du remplacement de votre courroie en respectant les tensions et le montage d'origine. Le cas échéant, ils pourront également remplacer les galets. La fréquence de révision varie en fonction des constructeurs. Elle doit généralement être effectuée tous les 5 ans, ou 150 000 kilomètres, ou après le remplacement d'un joint de culasse ou de la pompe à eau. Pourquoi est-il important de faire vérifier sa distribution ? Une courroie de distribution en bon état garantit le refroidissement de votre moteur et l'alternance des phases d'admission et d'échappement. Devant l'apparition d'un crissement suspect ou la découverte d'une fuite d'huile, il est fortement recommandé de faire appel à l'expertise d'un professionnel de l'automobile. Pour trouver un garage auto à proximité de chez vous, c'est ici : www.top-garage.fr Si vous souhaitez en savoir plus sur la distribution automobile, rendez-vous sur notre page dédiée : www.top-garage.fr/service/distribution
Views: 67138 Top Garage

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